There are two protagonists in The Road, and not much else. McCarthy yolos so hard on this novel, he doesn't even give them names. But don't worry, there is a reason. They are simply refereed to as The Boy, and The Man.
The Man is a hardened, sympathetic, and protective individual. In an unforgiving world, he tries to protect his family at all costs, even against their will sometimes. During flashbacks it is explained that he had a wife who thought it better to commit suicide than to live in the apocalypse. While it is horrifying to us, McCarthy does a good job at making us understand her point of view. She is simply worried about the safety of her family. In an argument with the man about a gang of bandits, she explains her point of view.
"Sooner or later they will catch us and they will kill us. The will rape me. They'll rape him. They are going to rape us and kill us and eat us and you wont face it. You'd rather wait for it to happen." (48)
She does not believe the man can possibly protect them from the evils of the world they live in. The novel is about his attempt to prove the woman he desperately misses wrong. Along with his love for his son, it drives him on in the toughest of times, and there are some tough times. He does not survive for himself, he does it only for his child.
The boy is the source of light and hope in an otherwise solemn world. He represents ignorance and foolishness, but also compassion and kindness. While his father only thinks about their survival, the few times they meet others on the road he feels the need to help them, even if his father resists. He loves his fatherly deeply, but he also worries about him, and what the world has turned him into. He sees weakness in his father that he cannot see himself.
Ultimately, The Road is story about the power of the father-son connection. Leaving them unnamed makes his biggest statement: these man and the boy could be anyone. The genius of this decision is that it lets the readers insert people from their lives into the place of the man and the boy, making it much more relatable.
Ah, yet another cheery Kafka story. And nice Game of Thrones quote. It sounds like even the winter-loving Starks would get depressed in this apocalyptic world. Does the narrator give any clue as to what the evil force in the story is and what the two unnamed characters are trying to accomplish? Or is the reader supposed to accept the situation for what it is and just focus on the father-son relationship?
ReplyDeleteUsing generalized names has an interesting way of placing the reader inside of the novel for sure. But I think the coolest part about this all is that if you isolate the interactions between the father and the son, how each is sort of looking out for each other in their own way, it might expose this in your, the reader's, life as well. Depending on how you view your actions with other people and how they interact with you you might place yourself in the shoes of the man or the boy. From there, if you look at your everyday life this might show for you who is looking out for you. Very cool, I'm not into apocalypse anything but having these other aspects makes this book more interesting or even more interesting if you do like reading about an apocalypse.
ReplyDeleteI like the concluding paragraph, as you're linking a stylistic choice to the effect of the choice. Good voice and tone stuff at the beginning.
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